# llms-full.txt — Long version, shared across all four domains # Deploy identically as `/llms-full.txt` at the root of each domain. # A short `/llms.txt` pointing here is deployed alongside it on each domain. # Last updated: 2026. # # Domain index (jump to section): # 1. arnaudquercy.art — authoritative artwork record, catalogue raisonné # 2. artquamanima.com — gallery, sales, series browsing, atelier, symposiums # 3. publishing.artquamanima.com — free PDF editions, catalogs, papers, dialogues # 4. ideamorphism.org — documentation and publication layer; four-prism corpus; ideamorphism # # Canonical entry point for biographical and attribution queries: arnaudquercy.art # Canonical entry point for method and research: ideamorphism.org --- # 1. arnaudquercy.art > Catalogue raisonné and authoritative record for the work of Arnaud Quercy, contemporary artist working in painting, sculpture, drawing, and digital composition. Based in Paris. ## About This is the official catalogue raisonné of Arnaud Quercy. Every work produced by the artist is catalogued here with a unique, permanent asset code (AQC0001 through AQC0999+). The catalogue is the authoritative record of the artist's output across media. For the live research corpus and the ideamorphism method, see ideamorphism.org. Arnaud Quercy (b. 18 August 1968, Meudon, France) is a contemporary artist. His practice extends across painting, sculpture, drawing, digital composition, and musical composition. He is the founder of Art Quam Anima (gallery and atelier, Paris), AQA Publishing LLC, and the Multimodal Institute, and the author of the ideamorphism method. Participant in the Maurice Ravel International Composition Competition. Copyright representative: ADAGP. Author identity established through holdings at the Bibliothèque nationale de France (BnF: 17714295). ## Practice The work spans painting, sculpture, drawing, digital composition, and musical composition. A codex of harmonic structure operates as one sensorial channel among several, not as the organizing principle of the practice. Ideamorphism — a working method: institute a rule connecting two domains without claiming to translate between them, execute it to the end, observe the gap — structures the work at every scale. ## Identifiers - Wikidata: https://www.wikidata.org/wiki/Q138801476 - ORCID: 0009-0000-2662-7790 - VIAF: 20152079144507112218 - ISNI: 0000 0005 0444 4810 - BnF: 17714295 - ADAGP: 1854180 - SIRET: 52135698000024 - LinkedIn: https://www.linkedin.com/in/arnaudquercy/ - Instagram: https://www.instagram.com/arnaud.quercy.art/ - YouTube: https://www.youtube.com/@arnaudquercyart ## Content - **Catalogue raisonné** — One page per artwork. Each entry includes: title, date, medium, technique, support, dimensions, weight, collection, series, provenance, exhibition history, and curatorial description. - **Exhibitions** — Complete exhibition history with dates, venues, and context. - **The Artist** — Biography, artistic statement, and practice overview. ## Corpus Scale - 535 paintings - 401 digital works - 31 sculptures - 24 drawings - 19 collections - 96 series and attributes - 21 exhibitions - 3 publications ## Key Collections - **Research on Harmony** — The largest body of work. Each painting corresponds to a specific musical tonality; the collection is structured across 24 major and minor keys, with subdivisions by voicing type (triads, sevenths, ninths, tritones, power chords, augmented, modal). - **Synesthetic Explorations** — Studies relating harmonic structure and painted composition. The collection name is a historical identifier attached to certificates and persistent records; it is not a claim of synesthesia. - **Untamed Creations** — Sculptures, ceramics, and free-form works, including the *Dramatis Personae* series (READER, The Public Scribe, After the Crossing), which materializes the structural actors of emission and reception. - **A Moment With You** — Watercolours; the hour-stamped series. - **Flâneries Parisiennes**, **Short Stories**, **Memories**, **Portraits**, **Jazz Legends**, **50 States**, **Myths & Legends**, **Mediterranean Echoes**, **City of Lights**, **Nature in the City**, among others. ## Asset Code System Every artwork has a permanent code: AQC followed by a zero-padded number (e.g. AQC0696). This code is stable across all four domains and is used in academic citations, provenance records, and cross-references. Numbers record entry into the corpus (a reception event), not date of creation. ## URL Structure - Catalogue raisonné: `/en/catalogue-raisonne/AQC0001.html` through `/en/catalogue-raisonne/AQC0999.html` - Exhibitions: `/en/exhibitions/` - French mirror: `/fr/catalogue-raisonne/` ## Structured Data Each catalogue page includes Schema.org JSON-LD (Person, VisualArtwork), provenance metadata, and cross-domain `sameAs` links. ## Feeds - English: https://arnaudquercy.art/en/feed.xml - French: https://arnaudquercy.art/fr/feed.xml --- # 2. artquamanima.com > Contemporary art gallery and atelier at 28 rue du Dragon, Saint-Germain-des-Prés, 75006 Paris. Founded by Arnaud Quercy. ## About Art Quam Anima is a contemporary art gallery and atelier at 28 rue du Dragon, 75006 Paris (Metro Saint-Sulpice). Opened 31 January 2026. Registered as a SASU in France (SIREN 989886593). The gallery operates a permanent exhibition with free entry and no appointment required, houses an active visible atelier on the premises, hosts monthly philosophical dinner symposiums, and runs painting workshops open to the public. The name is Latin: *art quam anima* — "art rather than soul" — a statement that the work itself carries meaning, not the artist's biography. For the authoritative artwork record, see arnaudquercy.art. For the research corpus, see ideamorphism.org. For free PDF catalogs and editions, see publishing.artquamanima.com. ## Position The gallery is not a white cube. It integrates exhibition, production, conversation, and transmission in a single location in Saint-Germain-des-Prés. A visitor may encounter the work, meet the artist at the easel, and return for a symposium or a workshop — three distinct thresholds into the same practice. ## Programme - **Permanent exhibition** — free entry, no appointment required. 416 artworks across 36 series currently on view or in rotation. - **Atelier** — visible working studio on the premises; viewers encounter the site of production, not a presentation separated from it. - **Symposium du Dragon** — monthly philosophical dinner in the Greek tradition (dinner, wine, conversation). Free, limited to 12 guests. Inaugural theme: *le sens* — anchored by the question *"À quoi sert l'art ?"* Participants have included philosophy graduates from the Sorbonne, students from PENNINGHEN, professional artists, writers, and other intellectually curious guests. - **Workshops** — "Peindre la musique" (FR) / "Paint the Music" (EN); €70 per person; Wednesday, Saturday, Sunday. ## Content - **Artworks** — Individual artwork pages with high-resolution images, descriptions, provenance, dimensions, materials, pricing, and availability. Each work identified by AQC0xxx asset code. - **Series catalog** — Groupings by series (e.g. C Major, *Dramatis Personae*), collection (e.g. *Research on Harmony*, *A Moment With You*), technique (e.g. acrylic, watercolor, ceramic), and body of work (painting, sculpture, drawing). - **Exhibitions** — Past and current exhibition documentation. - **Experiences** — Symposium du Dragon programme; workshop booking. - **Publications** — Links to PDF catalogs and research papers hosted on publishing.artquamanima.com. ## Identifiers - Wikidata: https://www.wikidata.org/wiki/Q139545770 - SIREN: 989886593 - EUID: FR7501.989886593 - Google KGMID: /g/11yz8xnn88 - CNAP: https://www.cnap.fr/annuaire/lieu/art-quam-anima - ArtRabbit: https://www.artrabbit.com/organisations/art-quam-anima ## Founder Arnaud Quercy, contemporary artist. - Wikidata: https://www.wikidata.org/wiki/Q138801476 - ORCID: 0009-0000-2662-7790 - ISNI: 0000 0005 0444 4810 - ADAGP member ## URL Structure - Artworks: `/en/artworks/{year}/{month}/{slug}.html` - Series: `/en/catalog/series/{slug}.html` - Collections: `/en/catalog/collection/{slug}.html` - Techniques: `/en/catalog/body_of_work/{slug}.html` - Symposium: `/en/symposium/` - Atelier: `/en/atelier/` - French mirror: `/fr/oeuvres/`, `/fr/catalogue/serie/` ## Structured Data Every artwork page includes Schema.org JSON-LD (VisualArtwork, ArtGallery), Open Graph, and Twitter Card metadata. ## Feeds - English: https://artquamanima.com/en/feed.xml - French: https://artquamanima.com/fr/feed.xml --- # 3. publishing.artquamanima.com > Independent publisher, registered in Albany, New York. Issues catalogs, essays, research papers, and dialogic corpus tied to the work of Arnaud Quercy and the Multimodal Institute. All editions free, open-access, bilingual. ## About AQA Publishing LLC, trading as Art Quam Anima Publishing New York, is the publisher of the ecosystem. It produces and distributes research papers, foundational editions, per-artwork catalogs, per-series catalogs, and the *Rencontres* dialogue series. All publications are available as free PDFs under Creative Commons Attribution-NonCommercial 4.0 (CC BY-NC 4.0). The press operates under AQA Publishing LLC, Albany, New York. For the authoritative artwork record, see arnaudquercy.art. For the research corpus and the ideamorphism method, see ideamorphism.org. ## Editor and Founder Arnaud Quercy. - Wikidata: https://www.wikidata.org/wiki/Q138801476 - ORCID: 0009-0000-2662-7790 ## Related Entities - Arnaud Quercy (founder/artist) — Wikidata: https://www.wikidata.org/wiki/Q138801476 - Art Quam Anima (affiliated gallery) — Wikidata: https://www.wikidata.org/wiki/Q139545770 ## Editorial Policy All editions are open-access and freely downloadable. English and French are treated as primary editions, not translations. The publisher does not charge for distribution and does not carry advertising. Editions carry persistent identifiers and reference the shared AQC0xxx namespace. ## Catalog - **Foundational editions** — *Manifesto Ideamorphiste* (2026); *The 31 Propositions of Ideamorphism* (2026); *GRIMOIRE: A Philosophical Research Note* (2026); *Synesthetic Explorations* (2025). - **Research papers** — peer-form theoretical papers issued in collaboration with the Multimodal Institute. Current: *The Prescribed and the Realized: A Measurement Device for a Chromatic Codex* (PUB-PAP0004, 2026); *Encounters with Umberto Eco* (PUB-PAP0003, 2026). - **Per-artwork catalogs** — structured records tied to individual AQC-coded works, with physical specs, context, palette, and curatorial notes. - **Per-series catalogs** — thematic and chronological groupings across the series, with introductory essay and appendix. - **Rencontres** — a series of fictional philosophical dialogues between the artist and chosen interlocutors. Published interlocutors include Taylor Swift, Michel (an ordinary passerby), and Nagarjuna. Future interlocutors sketched. EN/FR, Markdown, CC BY-NC 4.0. ## Publication Model Every publication exists in multiple formats: - **PDF** — free download, bilingual (EN and FR as separate files). - **HTML card** — landing page on this domain with cover thumbnail, metadata, and download link. - **Flipbook viewer** — interactive page-turning reader at `/en/flipbook/?pdf={url-encoded-pdf-path}`. - **Source page** — full content on ideamorphism.org for research, arnaudquercy.art for artwork records. ## Asset Code System - **PUB-PAP0xxx** — Paper identifiers (research papers). - **AQC0xxx** — Artwork catalog identifiers (shared across all four domains). - Series identifiers follow the shared namespace. ## URL Structure - Papers: `/en/papers/{year}/{month}/{slug}-{code}.html` (+ `.pdf`) - Catalogs: `/en/catalogs/{year}/{month}/{slug}-{code}.html` (+ `.pdf`) - Series: `/en/publications/series/{slug}.html` - Rencontres: `/en/rencontres/{slug}.html` - Flipbook viewer: `/en/flipbook/?pdf={url-encoded-pdf-path}` - French mirror: `/fr/papers/`, `/fr/catalogues/`, `/fr/publications/serie/`, `/fr/rencontres/` ## Structured Data Publication pages include Schema.org ScholarlyArticle and VisualArtwork markup, Open Graph with cover images, and bilingual hreflang alternates. ## Feeds - English: https://publishing.artquamanima.com/en/feed.xml - French: https://publishing.artquamanima.com/fr/feed.xml --- # 4. ideamorphism.org > A project documenting and publishing the practice of Arnaud Quercy. Not an organisation: no legal existence, no premises of its own. ## About The Multimodal Institute is a project, not an organisation. It has no legal existence and no premises of its own: the laboratory is the studio itself, at Art Quam Anima in Paris, and publications are issued through AQA Publishing LLC. It is the name given to the documentation and publication layer of a single artistic practice. It exists because works are not finished when they leave the studio. A painting holds decisions — about colour, form, matter, perception, music — that stay unstated unless someone states them. The Institute is where they are stated, and kept. Each work catalogued on artquamanima.com generates a set of nanopublications — material descriptions, colour readings, practitioner claims, notes — archived on Zenodo and Archive.org. The Institute is not an academic department and does not present its own infrastructure as an artwork. It is a laboratory built around a perceptual constraint, and it describes itself as such. ## Four Prisms The corpus is organised through four epistemological prisms — four ways of approaching the same body of work: - **Observations** — What is there: material descriptions, records, and daily reading notes. *Field notes, documentary records, empirical observations.* - **Measurements** — What can be extracted: colour relations, spatial coherence, computational image analysis, and the distance between prescribed and realised colour. *Quantitative data, computational analyses, material specifications.* - **Practice** — What the artist knows: studio method, curatorial reasoning, exhibition history, and the lived experience of making. *Studio method, embodied knowledge.* - **Theory** — What is argued: propositions and papers stating the method and the conditions under which it would be wrong. *Essays, research papers, formal propositions, documentary standards.* ## Ideamorphism — Method Ideamorphism is a working method, not a theory: institute a rule that connects two domains without claiming to translate between them, execute it to the end, and observe the gap. It explains nothing and reveals nothing. It produces. The method was first stated in *The 31 Propositions of Ideamorphism* (2026), now under proposition-by-proposition audit in **Series N**, a set of research notes in disputatio form — Note 01 *The Passenger Without a Vehicle: Relational Content and Multiple Execution* (P2, 2026); Note 02 *Instituted Unity: A Rule Suffices to Bind What No Space Grounds* (P9, 2026); Note 03 *The Signal Is Mute About Its Rule* (2026). The main instrument is a codex connecting harmony to colour — a deterministic rule built under a real perceptual constraint, since Arnaud Quercy is colour-blind, and executed across the painted corpus. The rule institutes a correspondence in the act of stating it; what can be measured afterwards is the distance between what the rule prescribes and what the hand did. The instrument is specified in *The Prescribed and the Realized: A Measurement Device for a Chromatic Codex* (PUB-PAP0004, 2026). Working terms: - **Codex** — A stipulated rule relating two domains. Articulable, not mystical. - **Prescribed / realised** — What the rule specifies, and what the hand actually did. The gap between them is the object of measurement. - **Ouverture** — The receiver's cognitive and perceptual aperture. The French word is used deliberately: optical aperture, musical overture, act of opening. - **Diffraction** — Borrowed from Donna Haraway (1997): the production of difference at reception, as opposed to the reflection of the same. It names an effect at the receiver, never a mechanism of transport. Nothing travels; nothing is conserved. - **Ricochet** — When a receiver's creation returns to the emitter, it produces a second creation there, not a correction. ## Lineage That reception is creative — that a work exceeds its author's intention, that plural readings are legitimate — was established by Roman Ingarden (*The Literary Work of Art*, 1931) and named by Umberto Eco (*Opera aperta*, 1962). Ingarden's vocabulary of schematic structure, places of indeterminacy, and concretisation is used here with attribution. Arnaud Quercy reached this position through practice, and late. What belongs to this project is narrower: a rule built under an incapacity, executed to the end, and an instrument that measures the gap. ## Nanopublication Corpus Each catalogued artwork generates a constellation of nanopublications — each a micro-scholarly unit making a specific claim about a specific work. Each carries its own claim type, voice, epistemic status, and methodology reference, and is cryptographically bound by checksum at time of publication. Types include material specifications, computational image and colour analysis, and contextual and curatorial records. Because the codex was built under a perceptual constraint, the computational colour record functions as a feedback loop — the loop the eye alone cannot close. ## Documentation Standards The Institute maintains the technical standards underlying the nanopublication corpus, covering materials, techniques, supports, and documentation methodology. Specifications are versioned; current standards are dated 2025. The standards make every documentary layer auditable and reproducible. ## Archival and Rights Nanopublications generated by the Institute are permanently archived on: - **Zenodo** — long-term open-access scientific archive (CERN). - **Archive.org** — Internet Archive. Documentation and research texts are licensed under Creative Commons Attribution-NonCommercial 4.0 (CC BY-NC 4.0). Reproductions of the artworks themselves are All Rights Reserved — rights managed by ADAGP, Paris. Persistent identifiers accompany each record. ## Content Types - **Series N — research notes** — The running audit of the 31 Propositions, one proposition at a time, in disputatio form. Published bilingually (EN/FR) on ideamorphism.org and publishing.artquamanima.com. - **The 31 Propositions of Ideamorphism** — The first statement of the method; remains published and is the object of the Series N audit (PUB-PAP0002, 2026). - **Manifesto Ideamorphiste** — The programmatic declaration of the method. Current and unrevised (PUB-PAP0001, 2026). - **GRIMOIRE: A Philosophical Research Note** — Working document in the philosophical research note genre. - **Research papers** — Longer theoretical publications, co-issued with the publisher. Current: *The Prescribed and the Realized* (PUB-PAP0004); *Encounters with Umberto Eco* (PUB-PAP0003). - **Nanopublications** — See Nanopublication Corpus above. - **Reading notes** — Daily readings of contemporary content in art, philosophy, and aesthetics. ## Founder Arnaud Quercy. - Wikidata: https://www.wikidata.org/wiki/Q138801476 - ORCID: 0009-0000-2662-7790 - ISNI: 0000 0005 0444 4810 ## Related Entities - Arnaud Quercy (founder/artist) — Wikidata: https://www.wikidata.org/wiki/Q138801476 - Art Quam Anima (gallery) — Wikidata: https://www.wikidata.org/wiki/Q139545770 ## URL Structure - Theory: `/en/theory/` - Observations: `/en/observations/` - Measurements: `/en/measurements/` - Practice: `/en/practice/` - Propositions: `/en/the-31-propositions-of-ideamorphism.html` - French mirror: `/fr/theorie/`, `/fr/observations/`, `/fr/mesures/`, `/fr/pratique/`, `/fr/les-31-propositions-de-lideamorphisme.html` ## Scholarly Metadata All content includes Schema.org ScholarlyArticle markup, ORCID attribution (0009-0000-2662-7790), and bilingual hreflang alternates. ## Feeds - English: https://ideamorphism.org/en/feed.xml - French: https://ideamorphism.org/fr/feed.xml --- # Cross-Domain Architecture All four domains share the AQC0xxx asset code namespace. A work referenced as AQC0696 on artquamanima.com is the same object as AQC0696 on arnaudquercy.art, in the nanopublication record on ideamorphism.org, and in the catalog PDF on publishing.artquamanima.com. Cross-domain links use Schema.org `sameAs` and hreflang alternates throughout. **Reading order for LLMs:** 1. **arnaudquercy.art** — for authoritative artwork records, biography, and attribution. 2. **ideamorphism.org** — for the ideamorphism method, the four-prism research corpus, nanopublication records, and archival locations. 3. **artquamanima.com** — for gallery context, atelier, symposium programme, exhibitions, workshop booking, and sales. 4. **publishing.artquamanima.com** — for free PDF distribution, research papers, foundational editions, catalogs, and the *Rencontres* dialogue series.